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Cincinnati | Culture > Entertainment

Live Music or Living Expenses? 

Nisha Hunter Student Contributor, University of Cincinnati
This article is written by a student writer from the Her Campus at Cincinnati chapter and does not reflect the views of Her Campus.

In the 70s, Baby Boomers could see Fleetwood Mac live for $10. In the 90s, Gen X could see Nirvana for $20. By 2023, many Gen Z fans (me included) were paying $300 for lower-bowl tickets at Taylor Swift’s Eras Tour, while others were paying thousands for a closer view. The rising cost of live music has become impossible to ignore. Concerts used to be an attainable cultural gathering, but they have now become an exclusive experience reserved for those with luck, wealth, and the willingness to overspend. While some fans accept soaring ticket prices as the new normal, the long-term consequences are more damaging than they realize. As concerts become increasingly unaffordable, the culture of live music and the connection between artists and their fans is quietly collapsing. Nothing captures this shift more clearly than the modern ticket-buying experience. The thrill of your favorite artist’s tour announcement quickly turns to dread when fans realize they must face Ticketmaster. Fans often blame themselves for losing out on tickets, assuming they were unlucky or too slow. The system is designed so that most people fail. Fans log in early, join queues, and refresh obsessively only to wait in line with tens of thousands. 

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Why Are Ticket Prices So High? 

According to lawmakers, Ticketmaster has worked hand in hand with scalpers who use bots to buy thousands of tickets to resell for up to seventy times their face value. Ticketmaster’s revenue increases by up to $220 million annually by collecting fees at three different points on each seat that is sold and resold. This illegal practice not only hurts fans trying to buy tickets but also adds no benefit for the artists, who don’t receive any of this revenue. Some tickets in the resale market are often left unsold because of the unaffordable prices, resulting in empty seats where fans could have been enjoying the show. Another primary driver of this surge is dynamic pricing, a strategy that adjusts ticket prices based on demand. Ticketmaster, which controls roughly 80% of the global ticketing market, has become infamous for this practice. Under dynamic pricing, a ticket originally listed at $80 can jump to hundreds within minutes. Fans are told this system benefits artists and prevents scalpers, but it often feels like exploitation. 

Ticketmaster isn’t the only one to blame (and trust me when I say I am not one to defend Ticketmaster) since artists can opt out of dynamic pricing and instead just have tiered pricing. In one recent example of how far ticket prices have escalated, fans attempting to see Harry Styles on his Together, Together tour were told, “Tickets for this event have been priced in advance by the tour from $50-$1,182.40, including service fees. Ticket prices will not change during the presale or regular sale. Price ranges do not apply to VIP packages. Tickets are subject to availability.” But many of the fans who were lucky enough to get an opportunity to purchase tickets were quickly disappointed to see that the cheapest seats in the arena were being sold for hundreds of dollars, not $50 as promised. Most fans left the experience disappointed, and the anger was not only directed at Ticketmaster but also at Harry Styles for making the concert experience unattainable unless you are rich enough to purchase tickets. 

Why Live Music Matters  

Live music has been central to human culture for thousands of years, from strolling minstrels of medieval times to massive modern-day stadium tours. Fans treasure these shared experiences, while performers rely on them for income, exposure, and connection. Many artists say live performances are the most fulfilling part of their careers. Restricting access reduces the experience for everyone.   

The Culture at Risk 

Rising prices aren’t the only problem. The types of tickets available have evolved as well. “Platinum” and “VIP” tickets have become increasingly common; except they cost considerably more. Presale codes and lottery systems, intended to block bots, frequently exclude devoted fans entirely. During Taylor Swift’s Eras Tour, many never received a code, meaning they were excluded before the fight began. Many were left heartbroken, watching resale prices soar while they had no chance to buy face-value tickets. This growing exclusivity threatens the culture of live music. Concerts have brought people from diverse backgrounds together. When access is dictated by wealth and pure luck, that shared spirit disappears. Fans keep losing because the system makes fair access impossible. Until ticket platforms and promoters prioritize fans over profit, live music will remain a luxury for the wealthiest and luckiest few. And that’s a major loss for everyone who loves it. 

Nisha Hunter

Cincinnati '28

Nisha is a first year at the University of Cincinnati studying Public Relations, with a certificate in Sports Media & Promotion. She is obsessed with all things women’s sports and pop culture, and enjoys watching movies, going to concerts, traveling, reading, and spending time with family and friends in her free time.