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York U | Culture

English Old Money Fashion: The Poncho Renaissance

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Kailyn Hanlon Jackson Student Contributor, York University
This article is written by a student writer from the Her Campus at York U chapter and does not reflect the views of Her Campus.

Audrey Hepburn. Grace Kelly. The Duchess of Devonshire. These paragons of taste epitomised a style ethos rooted not in fleeting novelty but in cultivated heritage. Today, their sartorial legacy finds renewed expression in a surprising revival: the poncho. Once a quiet staple in the old-money wardrobe, the poncho has been reimagined as the emblematic statement of the season, gracing runways and soirées with an aura of aristocratic restraint and languid elegance.

breakfast at tiffanys back
Paramount Pictures

The return of the poncho is no mere accident of cyclical fashion. It reflects a wider renaissance of English old-money style: understated silhouettes, muted palettes, and fabrics that whisper rather than shout. In an age of excess, the discreet drape of suede or cashmere offers a refreshing antidote, conjuring images of country manors, windswept estates, and fireside conversations in paneled drawing rooms.

Among the most notable players leading this revival is Elegant Ladies by Kailyn, whose forthcoming line, Edelora, has already captured the attention of fashion’s inner sanctum. Their debut creation, a sculpted suede poncho, embodies the very essence of English refinement: timeless, versatile, and imbued with a sense of quiet luxury. To don such a piece is not to follow a trend, but to assert lineage, to proclaim allegiance to a tradition where clothing is not ostentation but inheritance.

Naturally, questions abound. How does the poncho, a garment with indigenous South American roots, align so seamlessly with English old-money codes? The answer lies in its adaptability. Just as the British aristocracy once appropriated the trench coat from military garb and the loafer from Italian cobblers, the poncho has been sublimated into the English lexicon of dress: worn with equestrian boots on a countryside morning, or paired with pearls and tailored trousers in Mayfair.

What makes the Edelora poncho particularly compelling is its tactile sophistication. Suede, supple, decadent, and undeniably tactile, lends gravitas to the silhouette, transforming the garment into something beyond mere outerwear. It is a symbol of endurance, an heirloom for the modern age, ready to pass from mother to daughter in much the same way as vintage Hermès scarves or Burberry trench coats.

One thing is certain: this season, words such as “statement” and “essential” are no longer reserved for the latest It-bag. The poncho has usurped its rightful throne, restoring to English fashion what it has always known best, elegance without clamour, opulence without vulgarity.

So, the next time you pass through the doors of a stately home or simply stride down Bond Street, take note. Beneath the cashmere wraps and tailored coats, a new icon of refinement has emerged. And if you wish to remain in step with the aristocratic present, you may very well need a poncho, preferably suede, preferably Edelora.

Kailyn Hanlon Jackson is a part-time writer for Her Campus at York University, where she passionately delves into topics that intertwine with her academic pursuits, timeless elegance, and modern sensibilities. Her deep love for poetry and creative expression shines through her diverse body of work, seamlessly bridging the realms of creativity and academia.

Beyond her contributions to Her Campus, Kailyn serves as the CEO of Elegant Ladies by Kaitlyn Without the T, a brand dedicated to designing timeless accessories for the modern, elegant woman and refined gentleman. Additionally, she is the founder and president of the York Poetry Society, which provides a vibrant platform for artistic expression and literary exploration on campus.

Kailyn’s creative talents were recognized early in her academic journey. In her first year, the Japanese Canadian Cultural Centre showcased her podcast video on Japanese Canadians during their Nostalgia Night in August 2023. Her work was later featured on YouTube by York University's Anthropology Department, cementing her reputation as a dedicated and innovative contributor to her field.

Kailyn’s leadership extends across a wide range of campus organizations. She began her leadership journey in her first year as Treasurer of the Anthropology Student Association and subsequently rose to Vice President of the association in her second year. She has also held roles as VP of Finance for the Criminology Society and Student Success & Engagement Coordinator for the Women in Law Association. Currently in her third year, Kailyn balances several prestigious roles, including founder and president of the York Poetry Society, co-president of the Mock Trial Association, News Channel Host/Director for Nexus of Advocacy, and third-year representative for the Latin American Law Association.

Academically, Kailyn is pursuing an honours double major in Criminology and Anthropology, with additional certificates in German Language and Medical Anthropology. In her free time, she leads an active lifestyle, enjoying golf, Pilates, tennis, and ballet. Her musical tastes include Flamenco and Classical genres, with artists such as Arelys Henao, RosalĂ­a, and Lana Del Rey holding special significance for her.