Growing up, I was constantly made fun of for the parts of my culture I attempted to embrace. Wearing mehendi, bringing homemade paratha and aloo sabzi to school, oiling my hair, or even simply not understanding popular American referencesâI was always met with snide remarks disguised as jokes.
âWeâre just kidding.â
âDonât take it too seriously.â
I heard those phrases far too often. The older I get, the more obvious it becomes that none of it was funny. Those âjokesâ were microaggressions perpetuating the stereotypes that we, South Asians, are often boxed into.Â
I still remember being in seventh grade when bindis and mehendi suddenly became the trend at Coachella. At that time I felt so⊠validated. For once, my culture was being appreciated. I thought, if these popular influencers are embracing South Asian pieces, then surely I wonât be made fun of anymore.Â
At that time, I didnât understand what was really happening. These influencers and celebrities werenât appreciating South Asian cultureâthey were appropriating it. They never once acknowledged the South Asian roots that inspired their festival looks. For them, mehendi and bindis were just âexoticâ ways to make bold fashion statements.
The brief moment of validation that I once felt has turned into a deep anger. Especially since the appropriation of South Asian culture hasnât stoppedâitâs only gotten worse. In recent years, as the hate towards South Asians has increased, western society has continued to blatantly steal our very popular and traditional pieces without ever admitting where the inspiration came from.
Take the âScandinavian Scarfâ controversy from last year.
For those who aren’t chronically online: a fashion rental company named Bipty posted a TikTok that included pictures of women wearing pastel sundresses with matching dupattasâa long, rectangular scarf worn by South Asian women, often paired with kurtas or lehengas. In the video, the creator describes the vibe of the outfit as, âVery European, effortlessly chic.â The video went viral as thousands of South Asians flooded the comments with rightful anger, correcting the creator. The vibe of the outfit wasn’t European, it was South Asian.
Yet again, a similar controversy has surfaced this past month. This time, it’s Oh Polly and Reformation in the hot seat. A few weeks ago, Oh Polly posted a TikTok featuring a model wearing what they labeled as a âGaila Convertible Gown,â a two piece set that is clearly inspired by the Sahara suits popular amongst Desi women. Similarly, Reformation did a collaboration with Devon Lee and one of the sets looks like it walked straight off a 90’s Bollywood film.Â
For weeks, these brands have been called out for stealing South Asian designs, yet just like Bipty, they have remained silent. No apology. Not even any form of acknowledgement. Their silence speaks volumes. It reaffirms that a large part of the western world does not care about South Asians. The message is clear: they donât care that we feel offended, they donât care about our opinions, they donât care about our historyâour voice holds no value to them.Â
The same pastel dupatta look has taken over the current spring fashion. Yet, none of the influencers calling it a âspring 2025 must-haveâ specify that the scarf they are referring to is actually a dupatta.Â
Letâs give them the benefit of the doubt. Maybe they genuinely didnât know. But if thatâs the case, why are they deleting comments that try to educate them? Why are they ignoring the hundreds of people telling them the proper term and history behind the clothes they are wearing?Â
The answer is pretty straightforward: racism.
Itâs almost as if admitting that their so-called âEuropean aestheticâ is actually South Asian cheapens the outfit, and ruins the Eurocentric gaze they have curated for themselves.Â
They want our style, our jewelry, our long, thick hair, and even our golden skin tone. But donât be mistaken: they donât want to be us. They donât even want to be affiliated with us.Â
A lot of South Asian women say theyâre okay with non-South Asians wearing our clothes, as long as itâs done respectfully. Thatâs fair!
But my hot take is that Iâm not okay with it.Â
Maybe itâs selfish, maybe itâs unpopular, but I do want to gatekeep our culture. Obviously, thereâs exceptions like if youâre visiting a South Asian country, or attending your South Asian friendâs wedding. But, if youâre casually wearing our traditional pieces just for the aesthetic, even if you have good intentions, it still bothers me.
I love that others find my cultural clothes to be beautiful, but you can appreciate it without participating. I think hanboks are beautiful, but Iâve never thought to wear one myself. Why? Because itâs not mine to wear! Itâs that simple.Â
Why is this sentiment so hard for others, especially white women, to understand when it comes to South Asian fashion?
Us brown girls are far too used to our culture being mocked and stereotyped. Weâre used to hearing racist comments about our food smelling, our traditions being weird, that we’re are unhygienic, and so much more. But, now, the same people who once said these things (and letâs be honest, most of them probably still do) are the ones appropriating our culture.Â
The same clothes that they once teased us for are now suddenly deemed âcool,â as long as weâre not the ones wearing them. Itâs trendy when they do it, but tacky when we do.Â
And thatâs what hurts the most.