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Hofstra | Culture > Entertainment

Iced Out: Federal Policy, Fashion and the Politics of Being Seen at the 2026 Grammys

Meaghan Penney Student Contributor, Hofstra University
This article is written by a student writer from the Her Campus at Hofstra chapter and does not reflect the views of Her Campus.

On a night built for spectacle, politics found its place in the spotlight.

billie eilish on the red carpet of the 2026 grammys
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Music’s biggest night was about more than just awards at the 2026 Grammy Awards. On the red carpet, artists wore “Ice Out” pins in protest of the Trump administration and U.S. Immigration and Customs Enforcement, turning fashion into a political statement.

The widespread display came amid heightened tensions surrounding immigration policy and ICE’s growing presence in residential communities, intensified earlier this year by the deaths of Renee Good and Alex Prefetti during ICE operations. Against that backdrop, the Grammys felt impossible to separate from the political moment.

This year, activism became part of celebrities’ branding and red carpet presentation, and the way audiences praised or criticized those moments revealed how uneven expectations around political speech in music still are.

When the red carpet becomes a political stage

With injustice and political violence dominating national headlines, public attention toward celebrity responses has intensified. The Grammys have long been a space where artists speak openly, and musicians are often among the most outspoken of public figures.

It was not surprising that many attendees, presenters, and nominees used the night to make their views clear. Similar moments have appeared throughout this awards season, reinforcing the idea that audiences increasingly look to celebrities for visibility and reassurance in uncertain times.

In 2026, silence can feel louder than a speech. On a stage as visible as the Grammys, choosing not to engage politically is often interpreted as its own kind of statement. The expectation to speak out has become part of the cultural landscape, raising the stakes for artists who opt for neutrality.

In the music industry, political activism has always been part of certain artists’ brands. For some, activism is expressed mainly through their music, while others are much louder about their involvement outside of the studio.

Culturally iconic artists such as the Beatles, the Cranberries, Sublime, Green Day, Hozier, Billie Eilish and Kendrick Lamar have long been outspoken about their beliefs and woven those views into their work. Because of this, Grammy statements often align with artists’ existing values or fan expectations and usually do not come as a shock.

This year was no different, though the political climate brought a sharper focus. Even artists who typically stay quieter felt compelled to speak out and denounce the injustices unfolding.

Activism as part of the brand

When there is an audience expectation of political engagement from an artist, it inevitably becomes part of their brand, intentionally or unintentionally. With that comes a certain level of expectation.

For someone who has been outspoken for years, like Billie Eilish, making a political statement at an awards show is not only expected, but it also reinforces her public persona. Being part of a brand does not automatically make activism insincere, but it does shape how messages are received.

Not every artist takes the same risk when speaking out. For established superstars with devoted fan bases and industry power, political statements may reinforce an already secure career. For emerging or minority artists, however, visibility can carry professional consequences. In that sense, activism at the Grammys is not just about belief, but about who can afford to be seen taking a stance.

When activism becomes part of an artist’s image, it also exists within the same system that profits from celebrity visibility. The red carpet is both a political platform and a commercial spectacle. That tension does not automatically invalidate a statement, but it complicates how activism functions within an industry built on branding and attention.

Fashion as protest

justin bieber and haile bieber at the 2026 grammys
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One of the most common ways activism showed up at the 2026 Grammys was through fashion. The common “Ice Out” pins acted as a visual shorthand for artists’ beliefs and stances.

High-profile artists sporting the pins included Kehlani, Joni Mitchell, Billie Eilish, Olivia Rodrigo, and Justin and Hailey Bieber. Red carpet fashion is some of the most photographed and widely shared media from the event, meaning these statements reached far beyond the venue itself.

Politics were also front and center during acceptance speeches.

bad bunny at the 2026 grammys
CBS ENTERTAINMENT

One of the most talked-about moments came from Bad Bunny, who won three Grammys that night. During his acceptance speech for Best Música Urbana Album, he addressed ICE and the deportation crisis directly, saying, “Before I say thanks to God, I’m going to say ICE OUT. We’re not savages, we’re not animals, we’re not aliens. We are humans, and we are Americans.” He later added, “The hate gets more powerful with more hate. The only thing more powerful than hate is love.” His full speech, which fueled much of the night’s conversation, is available here.

Other artists, including Billie Eilish, Olivia Dean, Kehlani and Shaboozey, also used their moments onstage to publicly support immigrants and communities impacted by government policies.

While some of the motivation behind these pins and speeches may have been tied to public relations or social engagement, especially as political awareness has become more visible across pop culture, bringing attention to these issues still matters. Even if visibility is the primary outcome, awareness can influence public conversation.

“Before I say thanks to God, I’m going to say ICE OUT. We’re not savages, we’re not animals, we’re not aliens. We are humans, and we are Americans… The hate gets more powerful with more hate. The only thing more powerful than hate is love.”

Bad Bunny
Acceptance speech for Best Música Urbana Album, 2026 Grammy Awards

Praise, backlash and uneven expectations

Despite the strong presence of activism throughout the night, public reaction was far from unified.

Some artists were praised as brave for using their platforms to speak out, while others were criticized as performative or opportunistic. Reactions often depended on the artist’s identity, genre and career stage.

Politically outspoken artists like Bad Bunny and Billie Eilish were largely supported, in part because their statements aligned with long-standing public personas. However, Eilish also faced criticism online for echoing the phrase “no one is illegal on stolen land,” with some arguing that her wealth made the statement hypocritical.

While this criticism is worth acknowledging, it also highlights the complicated expectations placed on celebrities. On one hand, widespread visibility is necessary to push conversations forward. On the other, it can be jarring to hear political messaging from artists whose lived experiences differ greatly from those most affected.

Conservative critics dismissed the Grammy protests as hypocritical, arguing that wealthy celebrities were out of touch with the realities they condemned. At the same time, mainstream media outlets such as Rolling Stone, Teen Vogue and Her Campus highlighted artists who spoke out, framing their statements as meaningful moments rather than distractions.

With live television and social media amplifying every second, activism is judged in real time. Celebrities often get just one chance during awards season to make a lasting impression. A red carpet pin is no longer just photographed — it is clipped, captioned, and circulated within seconds. In an era shaped by algorithms, activism is amplified at unprecedented speed. The same platforms that elevate a statement can just as quickly turn it into a flashpoint for criticism.

A starting point, not the finish line

Activism at the Grammys should not be the final step in an artist’s political journey. While the 2026 ceremony made activism highly visible, it was never meant to be the solution.

Award shows provide amplification, not resolution. Symbolic gestures like protest pins or pointed speeches may not dismantle systems on their own, but they can open doors by shaping narratives and encouraging engagement. In that sense, the Grammys act more as a starting point than a finish line.

Musicians have long used their platforms to challenge political systems, from protest songs of the 1960s to outspoken performances in more recent decades. What feels different in 2026 is not the existence of activism, but the scale of visibility and the speed of response.

The real impact comes after the applause fades. One-night statements mean more when paired with sustained action, whether through continued advocacy, donations or long-term involvement with affected communities.

This is where branding and accountability intersect. When artists follow through beyond award season, their activism feels less like a moment and more like a commitment. At the 2026 Grammys, the most compelling activism was not only what appeared onstage, but what audiences will be watching for next.

Meaghan Penney is a senior at Hofstra University majoring in Music Business, with minors in Drama and Marketing. She has a strong interest in music and pop culture, and a particular passion for opinion writing and cultural commentary.