Her Campus Logo Her Campus Logo
MSU | Culture > Entertainment

Breaking Down “The Prophecy” By Taylor Swift Line By Line: Why It’s One of the Most Powerful Songs on her ‘Tortured Poets Department’ Album

Marisa Gaines Student Contributor, Michigan State University
This article is written by a student writer from the Her Campus at MSU chapter and does not reflect the views of Her Campus.

Despite the continuous controversies surrounding Taylor Swift and her music, I think it’s safe to say that she’s a lyrical genius. In my opinion, her music is worth listening to because of her lyrics. It isn’t everyday that you get to hear music that makes you feel deeply enough that it transports you to a different time in your life, or a future you hope for yourself. That right there is the main reason I have grown to love her music.

Her album The Tortured Poets Department is my favorite album of hers because it contains the songs that I relate to the most. The songs on this album are so powerful and deep, that even the more upbeat ones like “Florida!!!” and “I Can Do It With a Broken Heart” contain a deeper meaning hidden in between the lyrics. The song I’m going to decipher is “The Prophecy” though.

We’ll start with the first few lines:

Hand on the throttle

Thought I caught lighting in a bottle

Oh, but it’s gone again

Let’s assume that this is a song about love, as you probably could with most of her songs. In regards to a car, the word throttle is what controls the power of an engine, so the first line hints at speeding head first into loving someone or entering another relationship. The lighting refers to the spark you think you share with a person, and how you think that you have bottled it up for safe keeping, only for it to be snatched away from you. These first few verses hint to quickly falling for someone, but realizing it was under some kind of false pretense.

And it was written

I got cursed like Eve got bitten

Oh, was it punishment?

For background on these few lines, one of the first stories in the Bible is a woman named Eve biting into an apple and being cursed by God for eating such forbidden fruit. In a sense, you could say that God bit her back for disobeying him as a punishment. This analogy Swift makes relates to being on the bitter end of continuous relationships that never work out. The trend is so continuous that it starts to feel like a punishment and one might think, “Did I do something to deserve this?”

Pad around when I get home

I guess a lesser woman would’ve lost hope

A greater woman wouldn’t beg

But I looked to the sky and said

You start contemplating why failed relationships keep happening to you, why you’re never good enough for an honest relationship, and why this particular form of happiness can never last for you. Despite all of these things floating around in your mind, you don’t lose hope on finding love, even when you feel like you have every reason to do so. Yet, you’re not above begging a higher power to give you the kind of love you’ve been hoping to have and to keep. Swift does an amazing job of painting this picture with just a few words. It’s a feeling that I suppose many people have experienced, at least I know I have.

Please

I’ve been on my knees

Change the prophecy

Don’t want money

Just someone who wants my company

The beginning of the chorus is the continuous plea that is being made of simply just wanting to be loved and wanting to be put above everything else. You beg a higher power to change the prophecy of the damaged love life you’ve been given. You don’t care for money because like the famous saying goes, “money doesn’t buy happiness.” Instead, someone to share company and time with is like getting happiness, but for free.

Let it once be me

Who do I have to speak to

About if they can redo

The prophecy?

Here she begins to question if it’s a higher power she should be begging too after incessantly doing so. She’s begging to whichever higher power possesses the ability to change the dooming prophecy that’s been placed over her.

Cards on the table

Mine play out like fools in a fable, oh

It was sinking in

Here she starts to head down a different route and tries her luck with a tarot card reader, but it doesn’t give her any better outcomes. The cards clearly aren’t in favor of her love life getting any better, creating a sinking feeling as she feels like she’s exhausted all of her options at this point.

Slow is the quicksand

Poison blood from the wound of the pricked hand

Oh, still I dream of him

(Chorus repeats)

The feeling sinking into her was slower than sinking into quicksand because, despite the odds that still weren’t in her favor, she still dreams of love finding her. So the repeating of the chorus is her again trying her luck with begging to a higher power to provide this love for her. She’s begging once again for her love prophecy to change.

And I sound like an infant

Feeling like the very last drops of an ink pen

A greater woman stays cool

But I howl like a wolf at the moon

She’s now starting to realize how irksome she sounds in her begging, comparing herself to a baby who cries non-stop essentially about the same thing over and over again. Her cries and pleads are making her inconsolable, and they’re so loud they resemble a wolf howling to the moon. 

And I look unstable

Gathered with a coven round a sorceress’ table

A greater woman has faith

But even statues crumble if they’re made to wait

She’s feeling the absence of love so deeply that it’s affecting how she behaves and causing her begs to appear so pitiful that other people might think she’s lost her cool or gone crazy. It’s making her so crazy, that she hints to needing help from some kind of witch or sorceress. It reminds me of those witch coven scenes in The Vampire Diaries when they would surround one of the characters and perform some kind of ritual. This is the point where she’s starting to lose faith because of how long she’s been waiting for her love life to blossom into something real, lasting, and permanent. Maybe a greater woman wouldn’t beg, maybe they just wouldn’t lose faith, but she doesn’t think she’s a greater woman because she continues to beg and lose faith all at once.

I’m so afraid I sealed my fate

No sign of soulmates

I’m just a paperweight

In shades of greige

Spending my last coin so someone will tell me

It’ll be okay

This may be the point in which she’s finally given in to the fact that her doomed love life is just fated and there is nothing she can do about it. There is no sign of love, a love interest, or a soulmate for her, but in one last desperate attempt, she pays someone, like perhaps a psychic, just to tell her that it will be okay. To ease her fears and worries about never finding love, and it works.

The song ends with a repeat of the chorus and first verse where she goes back to begging after getting that glimpse of hope from the last coin she spent for someone to tell her that everything will be okay. She finds love again (first verse), and it yet again leaves her quickly, so she repeats the process of looking to the sky and begging. It seems that the song ends with a hopeful tone though, despite this horrid process repeating itself once again.

I think this song does a perfect job of embodying the fear of never finding love and being in the constant cycle of dating and liking someone, only for it to not work out in the end with the relationship terminating quickly. As someone who relates to that sentiment, I can also relate to gripping onto the hope of never giving up on finding love, even if I want to sometimes, and even if I do feel like I’m going a little crazy. There’s someone for everyone, and just like Taylor (our newly engaged queen), we’ll all find our person eventually. Also, who knows? Maybe it’ll end up being a football tight end… things could definitely be a lot worse than that.

Marisa Gaines is a student at Michigan State University with a major in creative advertising (focus in copywriting) and has plans to minor in creative writing. On campus, she is a staff writer and associate editor for the Michigan State University chapter of Her Campus. She currently works as a digital publishing student worker at H-Net Humanities and Social Sciences where she creates PDF layouts using Adobe InDesign and HTML layouts using Adobe Dreamweaver for three different academic journals that the company publishes year-round.

Outside of her job and education, Marisa writes under the pen name Ashley Jacobson and is a published author of her romance trilogy including books titles Break Me, Fix Me, and Love Me. She has been writing novels for over five years and is excited to continue the path of publishing with goals to publish a new series she is currently working on. Writing is one of her biggest passions, and she hopes to one day make a successful career out of it. She has aspirations to work in a publishing office as a book editor while also continuing her career as an author by publishing or having her own books published.

When Marisa isn't writing, her personal interests stay in the realm of books. She loves reading romance books and posting about them on her social media to engage with other book lovers. She has a small pomapoo named Pepper who she adores and takes care of like her child. She also enjoys organizing (and reorganizing) her bookshelf, going book shopping, hanging out with friends and family, and drinking coffee when the time calls for it (all the time).