With the internet being so easy to access, it has become easier for independent artists to find an audience and let their work be known. As a result, a variety of movements, collectives, and scenes have found a way to pave their path. The independent art scene in Puerto Rico is no different. Recently, many artists from a variety of disciplines have found platforms that have made it easier for them to share their work. In addition, small businesses such as Electroshock in Santurce and Rio Piedras, bars like Off The Wall in Mayaguez, and libraries like La Casita Books and Gifts in Aguadilla have provided up-and-coming artists a space to display their talents. “Puerto Rican Women Killing It in the Independent Art Scene” is a series of interviews that provides a glimpse at some of the women who have recently gained recognition in the art scene. Though the artists are asked similar questions, some are asked queries surrounding their work, specifically.
What’s your name and what do you do in the arts?
My name is Karina Stella and I’m a professional belly dancer, performer, painter, tattoo artist, body painter, muralist, and henna tattoo artist.
What got you into henna and tattoos?
I’ve been very curious and interested in henna ever since I got my first design, when I was 12 years old, with a lady artist at a bazaar in Florida. At 13 years old, I had already worked on some henna designs of my own and started working in some henna events around the island. I got into tattoos at 15 years old, when I was able to work in tattoo conventions, and became exposed to the culture. Jaime Skin, the producer for most of these conventions (like Paradise Island Ink Fest), was someone who at first gave me and introduction to the tattoo community and provided a lot of insight. As time went on, I got my first job at Juan Salgado’s Color Conspiracy studio, where I started as a henna artist and was also able to get a first-hand experience in working at a shop and with a crew. By the time I was 18 years old, I was able to become Liddiettes de Valles’ apprentice at Crazy Tattoos. To her, I am forever grateful of her kindness and unconditional willingness to teach and guide me.
What got you into dancing?
I got into belly dancing when I was 10 years old. I saw a video of a belly dancer and was struck by how she switched between soft and wavy movements with pop and locks, engaging her entire upper core. Also, I can’t resist a shiny costume and heavy makeup. Little did I know this was going to be an influence for the rest of my life.
What got you into murals?
I never thought I’d end up doing murals. I was surprisingly very happy with how things turned out after taking an experimental painting class with Sofia Maldonado at the School of Fine Arts and Design of Puerto Rico. She vigorously insisted in getting me out of my “comfort zone” and saw how my clean-line work could be adapted to a design at a bigger scale. My first mural ever was for her class and I haven’t stopped ever since. She has also served as a strong influence, seeing potential in me and believing in my work.
How do you balance and/or blend all of these art forms?
In some way or another, every art form manages to influence or transpose another one. Essentially, this is my personal mindset when I try to interpret my experiences and try to create or manifest through different mediums, styles and techniques. For instance, the rippling movements of belly dancing make me more inclined towards seeking an organic linework in my paintings. But right now in my life, I think I’m at a point where I’m still playing with all sorts of techniques. In some way or another, all of them make me who I am and I feel incredibly happy.
How did you develop your style?
I believe there are no boundaries between my lifestyle and the arts. I believe life is fleeting and we are only here now. Before having my art studies, my art was very passionate, instinctive and on the spot, and this is still a practice I keep. I try to create an intimate bond with spectators and aspire to become an individual with unprotected judgement. The process of experimenting and not expecting a specific, anticipated outcome is key.
How has it evolved through the years?
Feeling my own presence in my work. My pieces hold me and carry all of those who have marked me in a way or another. Time and experiences with magical individuals have made my art evolve into what it has become.
What are some of your influences and inspirations?
One of my main guides, influences and inspirations has been Arish Lam, my belly dance teacher and performance mentor. He is my idol when it comes to art. Other artists who have influenced me and I look up to are Caravaggio, Caitlin Hackett, Sara Fabel, Joey Rodriguez, Mary M. Ginkas, Pool & Marianela.
Is there any other form of art you wish to pursue? If so, what field and why?
I would like to work on and study more about Butoh, a japanese theatrical performance art. I consider it some of the most intense art manifestations I’ve ever seen and a challenge I would love to take on.
What do you think about the current state of the arts in Puerto Rico?
After Hurricane Maria, the arts in Puerto Rico seemed to have almost ceased. But more so, I think our political and territorial condition of being a colony has held us back immensely in many ways. Our state government does not invest in developing the arts at any level. And the art that does get “out there,” usually tends to have a touristy take. I like to think of it as a work in progress.
What do you think about the current state of the independent scene in Puerto Rico?
One thing I’m sure about the independent scene in Puerto Rico is that there needs to be a balance between productivity and networking. Not just your art, but social media and interpersonal relationships can make or break you. It’s sad witnessing and acknowledging so much talent in the island and not much of it getting the recognition it deserves. On the bright side, as time passes I have seen how more and more people have been constantly moving and hustling to create their own art projects, interventions and collaborations, and producing brands and events. This is all necessary for an island lacking young and fresh ideas, especially after hurricane Maria.
If a young girl came up to you and said she wanted to be an artist, what would be your advice for her?
Find what you love and own it.
What is your biggest goal right now?
Now that I’ve had a good base and feel comfortable with my work, I will travel right after I graduate to explore new places, people and experiences. I want to see how my work keeps evolving.
What do you seek to achieve with work?
I want my artwork to be a portal through which people can escape. Just as it does for me.
All of the pictures in this article were provided by Karina Stella