Gertrude is easily one of the most overlooked characters in Shakespeareās “Hamlet.” She exists at the center of the playās tragic chaos, as the Queen of Denmark, widow of the previous king, wife to another and mother to a son descending into madness, yet she is rarely given her own narrative. Gertrude’s lines are limited, and most of her insights are filtered through the perspectives of men, especially Hamlet, who sees her hasty remarriage as a source of betrayal and expresses immense disdain for her.
This selection of five tracks traces the complex strengths, struggles and silences of Gertrudeās character. By listening to these songs, we can reimagine Gertrudeās inner consciousness, recognizing her resilience under the overbearing weight of patriarchal control.
1. āMan-Sizeā by PJ Harvey
PJ Harveyās aggressive vocals on this track offer a voice to the unspoken exhaustion of Gertrude. āMan-Sizeā critiques the entitlement of male power while simultaneously embodying it, mirroring Gertrudeās own efforts to navigate the patriarchal world of Denmarkās court. Lyrics such as āI want to fit / Iāve got to get / Man-sizedā echo Gertrudeās effort to align with the expectations of society and maintain her influence by marrying Claudius. Her limited power as a queen relies on her relationships with men. The desire to get āman-sizedā becomes symbolic of her attempts to survive in a world that only values women through their proximity to male power.
2. āThe Light That Has Lighted the Worldā by George Harrison
This beautiful, reflective song (one of my personal favorites) mirrors Gertrude’s feelings when she is judged by both the people of Denmark and her own son for trying to find peace after her husbandās death. Harrisonās opening line, āIāve heard how some people have said that Iāve changed / That Iām not what I was / How it really is a shame,ā reflects the intense disappointment that Gertrude must face from Hamlet, who sees her remarriage as both immoral and a betrayal. Harrisonās lyrics also express a quiet resistance: āThey live all their lives without looking to see / The light that has lighted the world.ā Gertrudeās choices may seem selfish to others, but as a woman, they are her best attempts at grasping for security. Harrisonās song is Gertrude defending her humanity.Ā
3. āLandslideā by Fleetwood Mac
A timeless song about navigating the challenges and instability of life, āLandslideā speaks to Gertrudeās experience balancing her various roles while struggling to assert her own identity. āIāve been afraid of changing / āCause Iāve built my life around youā could be Gertrude speaking to the men who have defined her: King Hamlet, Claudius and her son. Stevie Nicksā lyrics about seeing her own āreflection in the snow-covered hillsā until the ālandslideā parallels the playās closet scene, when Hamlet forces Gertrude to confront the consequences of her choices. However, as Gertrudeās life collapses, and the ālandslideā hits, we understand that her complicity is not born of evil, but of constraint.
4. āStarsā by Nina Simone
Gertrudeās power is fleeting and conditional, solely built on her relationships with men. Nina Simoneās heartbreaking live rendition of singer Janis Ianās song āStarsā captures the loneliness of a misunderstood woman defined by othersā expectations. āYou who gave the crown / Have been let downā is Gertrudeās unspoken lament. She enables Claudiusā pursuit of the crown, only to be resented by Hamlet and once again trapped as queen, outwardly perceived to be in a position of power but lacking any real agency. The lyric, āTheyāll never know the pain / Of living with a name you never owned,ā reflects Gertrudeās suffering from having her voice diminished by the roles imposed on her.
5. āGoodbye Evergreenā by Sufjan Stevens
This song, written by Stevens after the loss of his partner, is an elegy. In “Hamlet,” Gertrudeās description of Opheliaās death is tender and poetic, greatly contrasting with her other lines throughout the play. It is one of the first moments we see Gertrude as more than a wife or a mother. She is a woman, witnessing another womanās demise under oppressive patriarchal control. āGoodbye Evergreenā could be Gertrudeās grief, solidarity and recognition of herself in Ophelia. Stevensā line, āDeliver me from the poison pain,ā reflects not only Gertrudeās quiet sorrow for Ophelia, but her own pain under the court, which quite literally poisons her.
Gertrude is often dismissed as complicit or passive, but I see her as a misunderstood woman doing her best to survive in a world where her own voice and autonomy arenāt acknowledged. These songs are a way to represent the layers of Gertrudeās identity, and they allow us to hear what she wasnāt able to say within Shakespeareās play. Give them a listen!