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Ithaca | Culture > Entertainment

The ‘Lost Boy’ of Sad Girl Stardom: How Phoebe Bridgers’ Return To Music Has Changed The Game

Kelsey Dearstyne Student Contributor, Ithaca College
This article is written by a student writer from the Her Campus at Ithaca chapter and does not reflect the views of Her Campus.

Six years of radio silence. It’s a long time by any means, but in the music industry this amount of time without even a notable single can feel like to decades to music fans. With the scene changing every day, especially with newer artists gaining recognition through social media, it’s hard to maintain a fanbase without active releases. Luckily, this wasn’t the case for Pasadena’s Phoebe Bridgers, an indie starlet whose gut-wrenching lyrics and immensely popular collaboration with massive stars – namely a certain blonde – gained her stardom despite her absence from the scene. Aside from recording two solo albums, Bridgers was known for her work in the all-female alternative band boygenius, which continued after her departure. Even so, boygenius’ split in 2023 left Bridgers fans with three years of no new material and virtually zero internet presence. That is, until a random day in late spring changed everything. 

The Comeback

It all began in Roswell, New Mexico when flyers advertising a concert from the elusive artist popped up. It seemed too good to be true; after all, Phoebe stans have been led astray by false reports before. But sure enough, the same pattern continued as Bridgers made her way across the states – mysterious posters advertising shows hours in advance, causing nearby fans to panic and rush to the venues. Given that sightings of the beloved singer-songwriter had been cryptic over the years, it didn’t take long for fans to recognize the commonality in the cities she had chosen for surprise shows. All venues selected were within close proximity to an infamous UFO sighting, from New Mexico to the Hudson Valley. With this discovery fans got to work, going as far to create websites with predictions for where she would travel next. But even with all the excitement and new songs being played to multitudes of eager admirers, Bridgers’ shows were shrouded in secrecy, and for good reason. When fans reached the venues of these coveted concerts and were admitted entry, they found their favorite indie singer had only one request.

She Said No Phones

In an age where news spreads through social media like wildfire, this request wasn’t bizarre, it was obscene. Phone culture at concerts has become so commonplace that some fans find themselves running out of storage while grasping to record every minute of a show. And while some artists have attempted to combat this issue by imploring fans to unplug and enjoy the show as it’s happening, few have dared to explicitly ban phone usage. Bridgers’ team became hands-on with this issue, mandating that all cell phones must be put in yonder pouches, locked up for the entirety of the performance. But even the disconnect didn’t scare away true fans, who continued showing up and respecting the singer’s wishes not to post or spread new song lyrics. Generation Z and beyond’s undying loyalty to Phoebe Bridgers proves that these shows meant much more than an Instagram post. According to lucky attendees, Bridgers stayed after performances to greet audience members, signing merch and even drawing requests for tattoos. While unorthodox, Bridgers manufactured greater connectivity with this brief tour than any internet forums could ever dream of. 

The Album

No one can escape social media forever, so on June 24th, Phoebe Bridgers announced her highly anticipated third album, Lost Weekend. A day later, the first single “Lost Boys” was released alongside her first music video since 2022. On the poppy ballad, she croons about her escape from the struggles of the modern world as well as the industry, with lyrics such as “This machine is killing me/I pretended it was make-believe.” While the machine is alive and well, Bridgers has certainly reinvented the process to her own liking. Coming back on her own terms, Bridgers has chosen to perform in a way that isolates the public eye, but draws attention and admiration from dedicated fans. “Lost Boys” and its fantastical inversion of reality and fantasy is merely the first chapter in her latest album, which will release in mid-August. Lost Weekend Tour will also ban cell phones, allowing for each experience to be uniquely individualized and untouched by internet scrutiny. Either way, Bridgers’ incredible comeback proves the power of fandom; a disappearance and an Instagram blackout will never eradicate the bond between a person and their favorite lyricist. 

A second year English major at Ithaca College, Kelsey is delighted to be the editor-in-chief for this amazing, dedicated chapter of Her Campus! She is a lover of everything music and pop culture, as well as an avid reader.