Objects define reality. Abstract or concrete objects reflect on the past while simultaneously preparing models for the future. But, like philosophies and shapes, humans are objects too. Some are to be âhandled with care,” while others like timber planks. An object can be anything you choose it to become, much like slavery.Â
Stephen L. Hayes Jr. uses objects like chains, nooses, wooden legs and bullet shells to portray the experiences of African-Americans in America, while reflecting on the past. The exhibition, âAmerican Haze,” previously on view at Mason Fine Art, displayed the 10-year retrospective by Hayes. Inspired by his own personal experiences and Willie Lynchâs âMakings of a Slaveâ, Hayes exhibition featured these artworks, âCash Cropâ, âFancy Legsâ, âDestroy the man, keep the body,” âVoice of Futureâs pastâ and âJesus Piece.”
One of the three symbols often used in Hayes’ work is a horse. âFancy Legs” is a metaphor for âwe are given everything we need to destroy ourselves,ââ Hayes said. The piece pictures two black horses with many legs that are connected at the neck with nooses. âBoth of these horses are trying to outdo one another, and at the same time are getting choked out by this lavish noose necklace,â he added.Â
âAmerican Hazeâ by Hayes, is no longer on exhibition at Mason Fine Art but is available here.Â
Hayes is an American artist who âuses three symbols: a pawn, a corn and a horse to explore Americaâs use (or misuse) of black bodies, black minds and black labor,â according to the Gibbes Museum. Hayes is also a professor of sculpture at Duke University.Â