The countdown is finally over. The long-awaited Season 3 of The Summer I Turned Pretty has officially returned to our screens, and the TSITP Season 3 soundtrack is already as good as the first two seasons. Now, it *finally* feels like summer. The third and final season of TSITP premiered on July 16 with two episodes on Prime Video. Episodes of the series will air weekly until the series finale on Sept. 17, making this season the longest one yet with 11 episodes instead of the typical 10. That’s right, we’re bringing Cousins into the fall. Spoiler alert: Spoilers for The Summer I Turned Pretty Season 3 follow.
The first two episodes of Season 3 follow Belly in college finishing her junior year at Finch University, while also navigating her relationship with Jeremiah. Of course, though, it’s only a matter of time until she feels the undeniable pull between her and Conrad.TSITP has been known for its use of music throughout the series. The Summer I Turned Pretty soundtrack for the past two seasons has been every Swiftie’s dream, playing underrated songs like “The Way I Loved You,” “False God,” “This Love,” “Sweet Nothing,” and more. The soundtracks have featured artists like Frank Ocean, Olivia Rodrigo, Billie Eilish, and Phoebe Bridgers. Fans can always anticipate hearing amazing songs as they tune into weekly episodes of the show, and Season 3 has proved to be no exception. Here are the tracks from TSITP Season 3 that appear in each episode.
- Episode 1: “Last Season”
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Season 3 of the show starts with ”Dreams” by The Cranberries as Belly drives to college. “Open Arms” by SZA plays as Belly hugs her mom goodbye at school. (Every college girl knows that freshman feeling all too well.) “Can’t Stop” by Red Hot Chili Peppers plays as we get a glimpse into Conrad’s life in Stanford. For every Taylor and Steven shipper, “FRI(END)S” by V plays as we see the couple being hilarious and adorable (as always). “Get Loud” by Coi Leray plays during Finals Freakout. “HOT TO GO!” by Chappell Roan is another song that plays during the fun festivities. Jeremiah and Belly sing along to “Summer Love” by Justin Timberlake in the car on the way to a party with “reason to live” by Mehro playing soon after. “NANi” by Saweetie plays as Taylor gets ready for a night out. The perfect hype music, if you ask me. At the party, both “Lovin On Me” by Jack Harlow and “Dilemma” by Nelly play. As Conrad opens up about the one time he was in love (with the one and only Belly), “Good Luck, Babe!” by Chappell Roan plays. “I like the way you kiss me” by Artemas plays as Belly overhears Lacie talking about how she hooked up with Jeremiah in Cabo, thus setting the stage to hear the gut-wrenching “You’re Losing Me” by Taylor Swift after Belly confronts Jeremiah about it, ending in tears and broken trust.
- Episode 2: “Last Christmas”
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Episode 2 of Season 3 opens with (you guessed it) “Lacy” by Olivia Rodrigo. Could you name a more perfect song for this moment? “I wish I hated you” by Ariana Grande plays as Belly reminisces on all of the good times she had with Jeremiah. “Rockin’ Around The Christmas Tree” by Brenda Lee is heard when Belly is watching Home Alone in a Christmas flashback scene. Fleetwood Mac’s “Never Going Back Again” plays when Laurel and John Conklin have a little moment. “Mystery of Love” by Sufjan Stevens and Casablanca’s “La Marseillaise” by Max Steiner can be heard when Conrad and Belly spend their snowy day together in Cousins. Last, but not least, Jeremiah and Belly officially reach fiancé status to Benson Boone’s “Forever and a Day.”
- Episode 3: “Last Supper”
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Episode 3 starts off with Belly and Jeremiah back together, happily in love in their Finch dorm bed with Billie Eilish’s “Birds Of A Feather” playing in the background. While Belly is moving out of her dorm room, Lily Allen’s “Littlest Things” plays. In the car on the way home, Belly and her dad talk about the song he and Laurel used to dance together listening to in the kitchen, and viewers hear the oldies hit “Everything Happens To Me” by Matt Dennis. Later on in the episode, when Conrad meets Agnes at the coffee shop, “West Coast” by Coconut Records plays in the shop. Back with Belly, she has a heart-to-heart with Taylor about her engagement up in her room, and “I’m Back” by Girl In Red plays quietly in the background. While Belly gets ready for the garden memorial ceremony, she bops along to “Please Please Please” by Sabrina Carpenter.
On the drive from the ceremony over to their lunch spot, Jeremiah and Belly talk about how they’ll tell their parents — and Conrad — about their engagement while “10,000 Emerald Pools” by Børns plays through the car’s speakers. And finally, after the couple shares the news of their upcoming wedding and lunch is called off, Conrad is left alone in the restaurant parking lot while “No Surprises” by Radiohead closes out the episode.
- Episode 4: “Last Stand”
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This episode is really light on the music — the first major song doesn’t play until 26 minutes into the episode. After Belly and Jeremiah talk to Laurel and try to get her on board with the wedding, they end up leaving in a fight and driving to Cousins. During the car ride, Jeremiah takes Belly’s hand as “Heartbeats” by José González plays. Later on in the episode, Belly reminisces about having her mom by her side, like when she was little and got her new big girl room at the Cousins house. If that weren’t emotional enough, “Landslide” by Fleetwood Mac starts playing as Belly cries on her bed. Finally, at the end of the episode, Belly thanks Conrad for giving their marriage his blessing. When Belly realizes he made her baked goods for her belated birthday, she hugs him, thanking him. The song playing during their embrace is “Halley’s Comet” by Billie Eilish.
- Episode 5: “Last Dance”
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The music in Episode 5 is just as good as the episode itself. The first scene starts with a classic, “These Arms Of Mine” by Otis Redding, while we see the last scene of Episode 4 from Conrad’s point of view. Then, during a flashback of Conrad teaching Belly how to ride a bike while they were kids, “I Want You Back” by The Jackson 5 plays. As Conrad and Belly cross things off the wedding to-do list, “Cherry” by Harry Styles plays as the two talk about their careers in the car. During their trip to Michael’s as Conrad realizes his lingering feelings for Belly, viewers hear a cover of The Cranberries’s “Linger” by Royel Otis. On the drive home from Michael’s, “Songbird” by Fleetwood Mac plays as Belly looks out the window. When they stop for some peaches on the side of the road, “Wild Horses” by The Rolling Stones plays as Conrad watches Belly eat. When they get home, “Into The Mystic” by Van Morrison plays as Conrad and Belly cook and eat dinner together. In a flashback to four years ago, when Belly sneaks into the guest room of her house where Conrad is staying, viewers hear “That’s How Strong My Love Is.” Then, as Jeremiah and Belly watch fireworks on the lake, they decide “You Never Can Tell” by Chuck Berry will be their wedding song. Finally, after Conrad talks to Susannah on her deathbed and reveals the promise he made to her, the episode ends with “Never Dreamed You’d Leave In Summer” by James Blake and Stevie Wonder.
- Episode 6: “Last Name”
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Episode 6’s soundtrack had me feeling all the feels. The first song we hear is NIKI’s “Every Summertime,” which plays while Belly meets with the country club’s wedding coordinator. Then, when Conrad meets with Laurel to convince her to go to Belly’s bridal shower, “A Matter of Trust” by Billy Joel plays. (It’s all very moody.) When the time comes for Belly’s actual bridal shower — which Laurel does, in fact, attend — a cover of Cyndi Lauper’s “Time After Time” by Lennon Stella plays. And while she unwraps gifts, “Dear Future Husband” by Meghan Trainor plays. Meanwhile, Jeremiah and Conrad are spending the day with their father, and “Send Me On My Way” by Rusted Root plays as they drive in the car. When we flip back to Belly’s bridal shower, Alvvays’s “Archie, Marry Me” plays, followed by “Be My Baby” by The Ronettes. Then, for perhaps the most on-the-nose music choices of the episode, we hear the showtune classic ‘We Love You Conrad,” as well as young Belly singing “Bye Bye Birdie” from the musical Bye Bye Birdie. At the end of the episode, though, is where we get our big one: after Conrad cuts his leg surfing, and Belly helps him clean and dress the wound, “False God” by Taylor Swift plays. And yeah, it’s just as feral as it sounds.
- Episode 7: “Last Hurrah”
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This episode chronicles Belly and Jeremiah’s bachelor and bachelorette parties. The music in this episode is next-level, starting strong with Sabrina Carpenter’s “Juno” as Belly watches Conrad work in the house and tries to convince herself she’s not in love with him. After the guys and girls get to Cousins and start their respective bachelor/bachelorette parties, M.I.A’s “Paper Planes” plays as they party. Later that afternoon, the girls try their hand at a dance routine with aims of it going viral. The song they dance to is “Typa Girl” by BLACKPINK and Dominsuk. The boys do the same, dancing to Zayn’s “Let Me.” Later on in the episode, Jeremiah and Belly have a moment alone before they head out to downtown Cousins to hit the bars. During that scene, “Girl” plays by SYML. As the group of guys and girls heads out for the night, they split and go to different bars — “After Midnight” by Chappell Roan plays at the club Belly and her girls go to, and “Sticky” by Tyler, The Creator plays at the bar the guys hit. The show then cuts to Laurel and John Conklin reminiscing about their own bachelor and bachelorette parties, and the two kiss as “The Other Side” by Stephen Sanchez plays.
Later on, a throwback scene to Belly and Conrad as kids is paired with “Robin” by Taylor Swift. Back with the guys in the bar, Jeremiah and Red Bird belt out “Joy To The World” by Three Dog Night. Belly and her girls head to a new bar, and Belly takes two shots back-to-back while “The Girl, So Confusing” by Charli Xcx blares. When Steven tells the group he’s leaving to meet Denise, “Iconic” by Armani White is playing in the guys’ bar. The song changes to “We Can’t Be Friends” by Ariana Grande, as Jeremiah screams “I love this song!” and spills his drink all over Conrad. Belly dances to the same song in the club she’s at, playing back moments with Conrad in her head. She comes to, and “I Don’t Wanna Know” by Griffin ft. Elderbrook bumps throughout the room. When the groups both head back to the Cousins house and Belly and Conrad are on the beach, Belly denies Conrad’s advances and “When The Party’s Over” by James Blake and Finneas plays while Belly cries. The episode ends with “LOML” by Taylor Swift, as Belly knocks on the wall of her room and no one on the other side in Jeremiah’s room answers.
- EPISODE 8, “LAST KISS”
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This episode was a doozy. The episode starts off strong with “Us” by Gracie Abrams, as Belly wakes up after her bachelorette night out and listens to a voicemail from Jeremiah apologizing for the night before, and saying he’ll be on a boat all day with the guys while she hits the spa. Later on, in the kitchen, Belly and Conrad talk about their conversation on the beach the night before, and as Conrad reminisces on all the times Belly knew he was in love with her, “With Or Without You” by U2 plays. At the wedding rehearsal, “Bizarre Love Triangle” by New Order plays as Taylor, Conrad, Steven, and then Belly walk down the aisle. That night, Belly can’t sleep, so she leaves her bed and swims in the pool, ruminating about whether she should tell Jeremiah that Conrad confessed his love while “Making The Bed” by Olivia Rodrigo plays. After she tells Jeremiah and sleeps next to him, Belly wakes the next morning to find out Jeremiah is missing.
“Feels Like We Only Go Backwards” by Tame Impala plays while Belly tries to get ready knowing everyone is searching for Jeremiah, and wondering where he is. When Jeremiah returns and looks in the mirror at himself, “Skinny Love” by Bon Iver plays. Towards the end of the episode, Conrad visits Belly, apologizing for ruining everything and letting her know he’s leaving. He kisses her on the head and leaves while Phoebe Bridgers’s cover of “Friday I’m In Love” plays. The song continues as Steven and Taylor have a conversation about how he’s not with Denise, and he insinuates he still has feelings for her. Finally, the episode ends with “cardigan” by Taylor Swift after Jeremiah and Belly break up, and Belly leaves Cousins for the airport to head to Paris.
- Episode 9, “Last Call”
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“Take Me Out” by Franz Ferdinand starts the episode after Conrad talks to his dad about the wedding being off. The song continues to play in the bar where Jeremiah drinks with Steven, Taylor, and Denise. Later, “Evergreen (You Didn’t Deserve Me At All” by Omar Apollo plays while Jeremiah, Steven, and Taylor finish up at the bar and Jeremiah theorizes Belly is with Conrad already. Over in Paris with Belly, “You’re On Your Own Kid” plays as Belly arrives in Paris and gets her first look at the city. “Voilà” by Françoise Hardy plays at a café as Belly goes to pay her bill after eating. “Les Jours Tristes” by Yann Tiersen then starts as Belly realizes her bag is missing — along with her engagement ring in it — and runs off to go find it (big thanks to her AirTag). “MOJO” by Claire Laffut plays as Belly follows her AirTag, looking for her engagement ring. Belly follows the AirTag to a party, and “Container Park” by The Chemical Brothers plays inside the party. Once she gets in, “Vois Sur Ton Chemin” by Bennett plays as Belly searches on the dance floor for her bag.
Back in Cousins, Steven and Taylor get back together and exchange sweet “I Love You” messages while “Stargirl Interlude” by The Weeknd plays.
Back in Paris, “Sept Heures Du Matin” by Jacqueline Taïeb plays as Belly updates her new friends on the last 36 hours of her life.
“Oh! Darling” by the Beatles plays as Taylor and Steven enjoy champagne and order room service in the hotel. Seems like these two are the ones enjoying wedding bliss. The song continues as Jeremiah returns to the Cousins house and faces Conrad. The episode ends with “How Did It End?” by Taylor Swift as Conrad heads back to California and Jeremiah breaks down to his dad over Belly leaving.
- Episode 10, “Last Dance”
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The penultimate episode of The Summer I Turned Pretty saw long time jumps and lots of music. The episode starts with “La Valse d’Amelie” by Yann Tiersen, when we open on Belly making stuffing on Thanksgiving in her Paris apartment. We get our first Taylor song with “I Can Do It With A Broken Heart” as viewers see Belly trying to fit in in Paris. “Vous Êtes Jolie” by Charles Trenet plays when Belly is working in the bar and mixes up gin for vodka. Over in America, “Oh Gemini” by Role Model plays in the background while Jeremiah, Adam, Taylor, Steven, and their friends eat Thanksgiving dinner. “How Deep Is The Ocean” by Bill Evans plays as John and Laurel make their own Thanksgiving dinner. “Shouldn’t I Give Up” plays as Conrad writes his first letter to Belly. Back in Paris, Belly dances around in the bar to “Rocking Around The Christmas Tree” by Brenda Lee. “La Javanaise” by Serge Gainsbourg plays while Belly and Benito get onto his motorcycle, and he teaches her how to drive. Back in Cousins, “ISIMO” by Bleachers plays when Conrad goes into Belly’s room and notices Junior Mint in her closet. “Last Christmas” by Sara’h plays when Belly is working at the bar and Taylor makes it to Paris.
“Bien Longtemps” by Françoise Hardy is the soundtrack as Belly and Taylor go shopping for their New Year’s Eve party. At the party, Belly and Taylor dance to “Murder On The Dance Floor” by Sophie Ellis-Bextor when Conrad’s package comes. “Moonlit Floor” by LISA plays as Belly fills Taylor in on Conrad writing her letters all winter, and Belly rejoins the party to kiss Benito when the clock strikes midnight on New Year’s. “The 1” by Taylor Swift plays as Belly moves into her new apartment and writes back to Conrad for the first time. And finally, “Sign Of The Times” closes out the episode as Conrad gets onto his flight to Paris.
- Episode 11, “At Last”
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The finale to end all finales. “Le Te Laisserai Des Mots” by Patrick Watson plays while Conrad first sees Belly arrive back to her apartment on a Vespa with Benito. “Old Friend” by Zaho De Sagazan plays while Belly is getting ready to head back outside to play tour guide with Conrad. “Le Champs Elysees” by Pamplemousse plays while Conrad and Belly are being tourists around Paris, taking in the sights.
“Corbeau” by Coeur de Pirate plays as Conrad looks around Belly’s apartment and realizes she’s built a life there without him. “J’Suis d’Accord” by Francoise Hardy plays as Belly and Conrad enter her birthday dinner, and “Filme Moi” by Alice et Moi and “Ta Reine” by Angèle plays during the party as well.
Back in Cousins, “Say” by Keshi plays as Laurel, Adam, and John talk in the Cousins backyard and Adam confirms his secretary Kayleigh left him. A friend in Paris sings “La Vie En Rose” in the bar while Conrad gives Belly the vial of sand from Cousins.
At Jeremiah’s party, “Everywhere, Everything” by Noah Kahan and Gracie Abrams plays as Taylor decides she will move across the country with Steven to California. “Slow Dancing In The Dark” by Joji plays when Jeremiah kisses Denise in the kitchen.
“I Only Have Eyes For You” by Flamingos & Al Dubin plays as Belly and Conrad walk along the river and they dance together. When they kiss for the first time, “Dress” by Taylor Swift plays. We get another Taylor song next — “Out Of The Woods” plays when Belly runs after Conrad after he leaves.
“Scott Street” by Phoebe Bridgers plays when Conrad and Belly exchange I love yous, and the rest of the Cousins crew celebrates Jeremiah’s big night at the house. The finale ends with “Christmas (Baby Please Come Home)” by Darlene Love as photos of Conrad and Belly in Paris for Christmas flip across the screen.