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Exeter | Style > Fashion

The Evolution of the Corset.

Emily Thrower Student Contributor, University of Exeter
This article is written by a student writer from the Her Campus at Exeter chapter and does not reflect the views of Her Campus.

The corset is probably the most culturally weighty item of clothing that a woman can wear today. The evolution of the corset is one of oppression, refusal and finally liberation, reflecting the turbulent history of female subjection. Each metal loop and tightening thread of lace evokes a legacy of bodily restriction and generations of female suffering. Today, we can choose to wear a corset to feel sexy and feminine, however its origins are starkly more sinister.

The First Corset.

The evolution of the corset can be traced back to the Minoan civilisation inhabiting Crete, around 1000 BC. The earliest known corset was crafted from linen and wool, but likely functioned as a ceremonial garment rather than everyday attire. It really came into power as a physical manifestation of female containment in the 16th century.

The Oppressive Corset.

The whalebone corset functioned as an instrument of bodily discipline, designed to mould the natural female figure into an idealised silhouette dictated by male standards of femininity. By subjecting women to these prescribed ideals, the corset became a symbol of women’s subordination to patriarchal expectations. These expectations reflected a culture in which women’s bodies were regulated to appeal to the aestheticised standards of the male gaze, even if organs were damaged in the process. The tight lacing caused numerous medical problems such as “pregnancy complications due to compression of the womb, miscarriages during pregnancy, deformed childbirth, indigestion and constipation, liver and lung diseases such as pneumonia and tuberculosis”; the list goes on. Despite these complications, women endured the physical discomfort and potential health risks of the corset to comply with entrenched female beauty standards. Women began wearing corsets from as young as nine years old to manifest the idealised body as they grew up, literally moulding themselves to the eroticised male gaze as children.

The Decline of the Corset.

The early 20th century saw the gradual deterioration of norms surrounding corsets. The 1920s ‘flapper’ movement partially detached women from corseted expectations, carrying with it rebellious social attitudes that introduced an increasingly progressive interpretation of femininity. Social change relating to women’s freedom and right to vote contributed to this shift, as women gained greater independence and were less governed by their clothing. Additionally, the First and Second World Wars heavily influenced the decline of the corset as women’s and men’s roles blurred once war broke out – the original ‘women in male fields’. As women undertook typically male-centred duties, the corset became physically impractical and increasingly workable clothing became essential.

The Modern Day Corset.

In the late 20th century, fashion designer Vivienne Westwood remoulded the original corset to align with contemporary fashion. Corsetry was reinterpreted and revitalised for a modern audience, no longer existing as a symbol of systematic oppression but as a symbol of female empowerment. Historically, women have challenged and reshaped the corset’s cultural meaning. Today, the corset is more than a fashion statement, it embodies the oppression and resistance of generations of women who worked hard to evolve its significance.

Bibliography.

Erkal, Melis Mulazimoglu. ‘The Cultural History of the Corset and Gendered Body in Social and Literary Landscapes’. European Journal of Interdisciplinary Studies, vol. 9, no. 1, Oct. 2017, p. 153.

Lauder, Velda. Corsets: A Modern Guide. A. & C. Black, 2010.

Steele, Valerie. The Corset: A Cultural History. Yale University Press, 2001.

Thakur, Manjari. ‘The Corset Affair’. Social Science Research Network, 27 Dec. 2016.

Zhu, Xiao Qing. ‘Corset and Clothing Freedom’. Advances in Social Science, Education and Humanities Research, Jan. 2022.

I'm Emily Thrower, a third year English and Communications student.
A fashion lover, opinionated and always keeping an eye on what’s next. From runway chaos and iconic street style to upcoming trends (and the ones we need to leave behind), I’m here to give you the honest lowdown on what’s hot and what’s absolutely not.
Think fashion commentary with a bit of attitude and absolutely no holding back on the gossip.