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UC Irvine | Style > Fashion

From Classic to Cool: Chanel’s new era under Matthieu Blazy

Kayla Luke Colon Student Contributor, University of California - Irvine
This article is written by a student writer from the Her Campus at UC Irvine chapter and does not reflect the views of Her Campus.

Since leaving Bottega Veneta in 2024 to become Chanel’s creative director, Matthieu Blazy has been one of fashion’s most closely watched designers. Just two days before his second runway show, Chanel finally released Blazy’s first Spring and Summer 2026 collection. Following six months of mounting anticipation from fans, Paris’ boutiques got first dibs on the collection on March 5th, while U.S. shoppers waited impatiently for five more days. 

On Friday, March 13, many eager buyers waited in hour-long lines hoping to secure their favorite piece from the collection, sparking what some online have deemed “Chanel mania.” The most coveted items included the viral pony hair heels and flats, as well as new bags like the Chanel Preppy Coco and the Chanel 25 — a modern twist on the classic flap bag. These high-demand items sold out almost immediately, forcing latecomers to order online or walk away empty-handed. Some who were lucky enough to score an item from the new collection shared their extravagant purchases on social media.

Chanel has traditionally built its brand identity embodying timeless class and elegance as a mature luxury brand. In 1910, Gabrielle “Coco” Chanel founded the fashion house with a vision to liberate women through clothes, pioneering timeless styles such as the little black dress. Chanel has generally appealed to older, more sophisticated women with its recognizable double ‘c’ logo, quilted flap bags, and bouclé matching sets. Though the brand has not typically appealed to younger audiences, it has always been an iconic symbol of both status and high fashion to little girls and grown women alike.  

Karl Lagerfeld — who led as the creative director from 1983 until his death in 2019 — is widely credited with transforming Chanel into the global luxury powerhouse it is today; designs made by Lagerfeld, such as the tweed jacket suit and the Boy bag, still remain integral to the brand’s modern identity. Upcoming successors would inevitably be compared to Lagerfeld’s influence, and critics were eager to see if Blazy could make the brand his own. 

With this collection, Blazy has transformed Chanel from its usual designs into a must-have, effortlessly cool look for a new generation of women. His stylistic allure is how he modernizes classic Chanel. Rather than sticking to traditional looks, he blends flowing silhouettes and fresh reinterpretations of signature styles. Chanel’s official site states, his work represents “an ongoing conversation between Gabrielle Chanel and Matthieu Blazy.” 

 However, new consumers have critiqued the collection on social media. Unlike in 1910, criticisms from the average consumer are as influential as those of fashion elites. TikTok influencer Jessica Lee, with a following of over  400,000, commented on another creator’s haul, “I got it and returned. Was so cheaply made!” Priced between $6,000 to $13,000, the S/S26 bags are undeniably marketed as high-end, premium-quality pieces. Sotheby’s reported that in 2025, Chanel increased prices across most of its core styles by 4% to 7%, a pattern that is reported to continue into the rest of 2026. A TikTok bag enthusiast who goes by “Liz” claims her Chanel sales associate informed her of yet another price increase on leather goods, set to take effect on April 2 2026. Chanel’s consistent price increases and declining quality control continue to raise questions in the fashion community about whether these bags will remain worth the investment.

Social media has made traditionally exclusive brands more visible and desirable to a wider audience. Influencers flaunt their Birkin bags and exorbitant closets on social media, encouraging younger generations to purchase expensive items for the purpose of showing them off online. However, many of these young buyers are not as affluent as those they admire on social media, making them aspirational shoppers who save up for a singular special piece. For these first-time buyers, a purchase from a brand like Chanel not only represents status but also a place in the world of high fashion. 

When a brand positions itself as on the highest tier of luxury through expensive pricing, it must ensure that craftsmanship remains a priority. How can one justify a $6,000+ bag when it has the same quality as a $100 one from Zara? Comparable designer staples with strong reputations for quality, such as the Louis Vuitton Neverfull or the Gucci Jackie, retail for closer to $2,000. As Chanel’s prices continue to climb, the brand risks losing its status as an attainable milestone purchase for younger aspirational shoppers. 

The growing premium placed on vintage Chanel pieces suggests that consumers increasingly associate earlier productions with higher quality. According to analysis from CloverSac, a bag resale site, vintage Chanel bag prices rose sharply between 2020 and 2024, with many classic styles surpassing $10,000 on the secondhand market. The surge reflects not only broader inflation in the luxury market but also a growing perception among collectors that older Chanel pieces have much stronger craftsmanship than what is currently available in stores. 

Blazy’s designs may not be revolutionary, but they have successfully captured the attention of a new generation of consumers. While some long-time clients may argue that Blazy’s work doesn’t feel like Chanel, there’s no denying that his appeal to younger audiences is benefiting the brand. 

The launch was labeled “unprecedented” by the Wall Street Journal, possibly signaling a new era of resurgence for Chanel. Although Chanel is privately held and SS26 sales data will not be released until 2027, its market impact is already evident: the debut generated $94.8 million in media value, according to Launchmetrics.

Blazy’s modernization of Chanel has generated great anticipation for the brand’s future. Yet the same social media attention that has fueled the brand’s resurgence may ultimately challenge its authority as a pinnacle of luxury quality. With a younger, largely first-time-buyer audience, the question remains whether this future will include aspirational shoppers amid rapidly rising prices and ongoing quality concerns.

Kayla Luke Colon is a student at the University of California, Irvine, where she double majors in Literary Journalism and Criminology, Law and Society. She interns at New University, the campus newspaper, and KUCI, UCI’s student-run radio station.

She is from Oʻahu, Hawaiʻi, and is interested in storytelling, media, and law. Outside of school, Kayla runs a vintage thrift business called Trashy Fashion, where she sells curated secondhand clothing.

In her free time, she enjoys a good hot yoga class and listening to music, with favorite artists including The Beatles, Lana Del Rey, and Radiohead.