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U Conn | Culture

Wrapped: The Songs I Hope You Think I Love

Hilary Hickey Student Contributor, University of Connecticut
This article is written by a student writer from the Her Campus at U Conn chapter and does not reflect the views of Her Campus.

I’d like to pretend I’ve always listened to music purely for myself. That every playlist I’ve ever made was crafted out of instinct, feeling, and whatever songs were pressing “play” on my soul. But I’ve come to realize that the truth is far less romantic. At some point this year, I caught myself scrolling through my playlists with the kind of hyper-focused shame usually reserved for sifting through photos for an Instagram post. As I skipped songs and rearranged tracks, I was smoothing out the edges of my taste until it felt more digestible, more aesthetic, more public… more marketable. And once I noticed myself performing in a space that used to be intimate, the whole experience hit pause. As Spotify Wrapped 2025 arrives this year, half of the internet spirals through its annual identity crisis. I suppose that makes this article my contribution to the cultural noise, so consider this my own little confession. 

My Spotify stopped being just a place to listen. It became a place to perform. Wrapped is supposed to be a recap, a neat little bow on a year of honesty. But lately, it feels more like a stage light turning on, revealing the ways we curate not only what we hear, but who we hope to be seen as.

I never meant to curate my playlists for other people, but I ended up doing exactly that. And in a world where we constantly feel the need to protect our own narrative, if Spotify is the stage, then who exactly am I performing for – and why?

social streaming

The strange thing about realizing you’re “performing” on Spotify is that it’s not paranoia; it’s exactly what the platform encourages. Spotify may look like a music service, but the way it functions, especially this time of year, is indistinguishable from social media. Wrapped, in particular, is engineered to feel less like a report card and more like a spectacle. 

A 2024 study describes Wrapped as “spell-like,” intentionally designed to enchant users into emotional attachment through bright visuals, gamified statistics, and hyper-personalized narratives, noting that “the success of Spotify Wrapped is inseparable from its ability to leverage user psychology.” It doesn’t just show you what you listened to; it shows you who you supposedly were. And the moment you tap “share,” your private habits turn into public metrics. In the age of social media, we have become desensitized to this performative pressure, as it almost feels required. This is where the platform stops being a library and becomes a stage. 

Harper’s Bazaar goes even further, arguing that Wrapped has evolved into a kind of social currency, as revealing and curated as an Instagram dump. A top artist isn’t just a data point anymore; it’s a strategic identity signal. For a generation that has spent its entire adolescence curating its online presence, Wrapped has shifted from a mirror to a spotlight. It doesn’t simply reflect who you were, it presents who you are willing to be seen as.

And Spotify knows this. The interface pressures you to treat your profile like a curated feed: public playlists, aesthetic cover images, follower counts, and collaborative mixes. It’s the architecture of social media translated into the language of music.

So when I found myself rearranging playlists with the same self-consciousness I’d have editing an Instagram caption, it wasn’t an overreaction. It was the reasonable response of someone who suddenly realized their “private listening life” had an audience – algorithmic, accidental, or intentional. The moment music becomes a performance, taste becomes something to manage. And Wrapped is the annual reminder that we’re all doing it, together, publicly, whether we meant to or not.

personal soundtrack

Playlists have quietly become the mood boards of our digital selves, our own personal soundtracks. We don’t just listen anymore, we design. Each playlist is a statement, a carefully arranged narrative of who we are or, more often, who we hope others perceive us to be. Wrapped intensifies this performative layer. Many people joke about “fixing” their Wrapped ahead of time by looping certain songs, skipping others, and even creating entirely new playlists to influence their year-end recap. The humor of these rituals masks a deeper anxiety: the fear of exposure. Music is profoundly personal, and Wrapped turns that intimacy into content.

Spotify has become a site of emotional surveillance. You’re being watched, not just by the algorithm that tracks your every stream, but by peers, exes, friends, and even your own ego. Your taste is translated into data, that data becomes content, and that content becomes identity. In other words, every track you play contributes to the ongoing project of branding yourself.

It’s strange to think that what once felt private, pressing play on a song late at night, can now be assessed, displayed, and judged. And yet, for many of us, this is exactly the digital landscape we navigate daily: our personal soundtracks are no longer just about sound, they are about perception. But beyond performance on a digital stage, there’s a quieter layer, how music interacts with our own perception of self, note by note.

the art of listening and lying

Listening has always been a sacred ritual, a delicate interplay between sound and self. But in the age of Wrapped, it has become something more intricate; a performance scored for an unseen audience. The rhythm hums under your pulse, sudden high notes jolt the ego, and a lyric that once felt private now carries the weight of judgment. Music, once a personal heartbeat, has been transcribed into data, exposing every nuance to the spotlight. 

The 2024 study observed that Spotify users feel simultaneously “seen” and controlled by the platform. The tension lives in the micro: a subtle baseline of insecurity beneath a soaring chorus, a track that doesn’t fit the story you’ve been composing, yet reveals your reality. Every note is a choice, every silence deliberate. In this way, the art of listening has become an act of negotiation: between honesty and aesthetics, sound and identity. We are composers and performers, conducting private symphonies while projecting curated identities. Wrapped solidifies this tension into a single, shared ritual; a reminder that even our most intimate music is now entangled with perception, curation, and the subtle art of listening…and lying.

top artist: me

I realized I needed to reclaim my listening space. This year, I don’t want to curate a self for others. I want to hear myself. Wrapped reveals what we listened to, but only I can decide what it truly means for me. Every playlist, every pause, every refrain is mine to feel, mine to interpret, mine to let echo in my own rhythm. And maybe that is the most radical act of listening of all: choosing myself as the audience, and letting music exist for its own sake. Spotify can reveal my stats, but the encore? That one’s off the record.

Hilary Hickey is a freshman at the University of Connecticut majoring in Journalism with a minor in Anthropology, and a writer for Her Campus UConn. She’s from Fairfield, CT, where her family runs an ice cream shop named after her dog, Tabitha (arguably the real boss). When she's not writing, Hilary enjoys reading, singing, playing guitar, and will happily watch almost any movie or TV show at least once (and probably twice).