While watching movies, it’s no surprise we often feel inspired by the actors’ talents, a film’s musical score, and the scenography used to bring a script to life. However, we tend to overlook a key factor that plays a major role in defining the characters’ own personalities, their psychological traits, and even how the character’s plot is bound to take shape. That’s right, I’m talking about the costumes, outfits, and clothing used in films of any genre.
Before diving into some examples and further explanations regarding the psychological connotation of fashion in film, it’s important to highlight the correlation between Color Theory and fashion.
For those of you who might not be familiar with the term, Color Theory is a popular tool used in a variety of design-based fields, such as architecture, interior design, graphic design, and, of course, fashion design. Its main purpose is to describe and define the ways in which certain colors can be arranged in order to create an aesthetically pleasing combination.
The best way to understand Color Theory is to look around your local bookstore, fashion boutique, supermarket, or even your own home! The main idea behind this exercise is to notice how every single color of the setting’s components harmonize in a visually pleasing way.
Now, back to costumes! Just like any other important details of a movie, such as the lighting, the music, the ambiance, and the casting, wardrobe selections are completely intentionalー even more so than you’d think.
For starters, the clothing worn by the characters is always meant to convey a specific mood, feeling, personality, characteristic, or even to foreshadow what the character is about to experience within the plot. To visualize this, think of any character belonging to one of your favorite movies (the possibilities are endless)! Then, ask yourself, what are they wearing? Because you now have a clear image of your character, let’s take a look at the Color Theory meanings of each color in order for you to analyze the true meaning behind their wardrobe choices.
Pink: kindness, tenderness, love, delicacy, femininity, irony
Examples: Sharpay (High School Musical, 2006), Professor Dolores Umbridge (Harry Potter and the Order of the Phoenix, 2007), The Plastics (Mean Girls, 2004)
Red: anger, lust, power, passion, aggression, danger, violence
Examples: Anger (Inside Out, 2015), Protagonists’ red jumpsuits (Money Heist, 2017 to now), Deadpool (Deadpool, 2016)
Orange: energy, warmth, enthusiasm, flamboyance, humor
Examples: Leeloo (The Fifth Element, 1997), Jasmine (Aladdin, 1992), Inmates (Orange Is The New Black, 2013-2019)
Yellow: joy, relaxation, optimism, wisdom, dishonesty, illness, hazard, imagination
Examples: Georgie (It, 2017), Belle (Beauty and the Beast, 1991), The Bride (Kill Bill, 2003)
Green: jealousy, peace, nature, perseverance, pride, good luck, youth, fertility
Examples: Poison Ivy (Batman & Robin, 1997), She-Go (Kim Possible, 2002-2007), The Wicked Witch of the West (The Wizard of Oz, 1939)
Blue: spirituality, loyalty, tranquility, cleanliness, sadness, technology
Examples: Mary Poppins (Mary Poppins Returns, 2018), Nebula (Guardians of the Galaxy, 2014), Alice (Alice in Wonderland, 1951)
Purple: eroticism, royalty, mystery, transformation, cruelty, arrogance, sensitivity
Examples: Miranda (The Devil Wears Prada, 2006), Willy Wonka (Charlie and the Chocolate Factory, 2005), Ursula (The Little Mermaid, 1989)
Black: power, sexuality, darkness, elegance, mystery, grief
Examples: Tris (Divergent, 2014), Morticia Addams (The Addams Family, 1991), Lisbeth Salander (The Girl with the Dragon Tattoo, 2011)
Gray: intellect, diplomacy, cool, modernism, conservative
Examples: Rey (Star Wars: The Last Jedi, 2017), President Coin (The Hunger Games: Mockingjay, Part 1, 2014), Gandalf the Grey (The Lord of the Rings: The Fellowship of the Ring, 2001)
White: purity, protection, simplicity, benevolence, sterility, birth, marriage, futurism
Examples: Daenerys Targaryen (Game of Thrones, 2011-2019), Nina (Black Swan, 2010), Giselle (Enchanted, 2007)
After doing this simple exercise, it’s easy to see how film characters’ clothing are premeditated and designed for specific reasons. However, the relationship between psychology and Color Theory goes much deeper than some simple color associations. There are also certain color dynamics at play when costume designers and directors make outfit or character design choices. We can classify them as follows:
Monochromatic: color schemes that revolve around a single color.
Example: Trinity and Neo (The Matrix, 1999)
Analogous: combinations of neighboring colors in the color wheel.
Example: Velma (Scooby-Doo, Where Are You!, 1969-1970)
Complementary: color palettes that present completely opposing colors in the color wheel.
Example: Joy (Inside Out, 2015)
Triadic: any color combination composed by three evenly spaced colors in the color wheel.
Example: Sally (The Nightmare Before Christmas, 1993)
The depth of fashion, Color Theory, and psychology is positively mind blowing once you start analyzing the fashion in films and series. Feel free to practice and start building your own interpretations of the colors presented in the costumes and wardrobe selections presented in your favorite TV shows and movies.
You can always share this information with your friends and start your own debates and theories surrounding the meaning behind certain characters’ outfits. The possibilities are endless!